Many saw Ghost Protocol as a new beginning, with the third film somewhat cleaning the audience's palate after the distasteful second film. We don't often hear this kind of respect to musical atmosphere, as summer blockbusters have become built around thrill-ride dynamics.įor the fourth film, Schifrin's theme is also dramatically reworked. Directed by Brian De Palma, the first film in the series owes a great debt to Schifrin's original ideas and keeps the sense of thrilling espionage front and center. The great Danny Elfman had the first chance to write Mission: Impossible movie music. Here's a complete timeline of the Mission: Impossible movies-and the composers of the movies' scores. Joe Kraemer, who scored the most recent version, told me his goal was "to create a score that honored the work done by Lalo Schifrin in the 1960s when he created the iconic theme for the TV series, while at the same time, not doing a pastiche that sounded cliche or dated, or came off like a spoof."
Over the history of the film franchise, we have heard the theme rendered in a variety of ways.
As NPR points out, "one of the most appealing things about it.is that it's in 5/4 time." This means that "the piece contains five beats to the measure, instead of the more typical three or four." This may seem to be a simple variation, but we are so accustomed to music having three and four beats per measure that when someone changes it up, our ears take notice. Written for the original 1960s television series, the theme has become iconic.
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